In part one of our complete guide to alternative tuning for baritone guitar, we explored B and A standard tunings (perfect fourth and perfect fifth standard), multiple open major chord tunings, and Pat Metheny’s, “Half Nashville” baritone tuning.
Well, I hope your tuning pegs are rested, because we’re back with another tour de force of peg-twisting alternative tunings for your baritone. If you are ready to spark your creativity, expand your sonic horizons, and get out of that musical rut, let’s dive into our first tuning.
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Baritones: the Magic is in the Tuning.
When you get right down to it, a lot of the magic of the baritone guitar is in the tuning. The reason one creates music on a baritone is because of the deep and rich tones created by playing in a lower register.
Sadly, the average baritone player never ventures beyond standard tuning and thus never experiences the instrument's full potential. However, if you're reading this article, you are not the average baritone player. So, check the batteries in your chromatic tuner. Its time to twist some pegs and adjust some strings. Here is part one our complete (or, nearly complete) guide to traditional and alternative baritone tuning.
Nashville tuning may not be something you typically associate with the baritone guitar. However, in this video, virtuoso Pat Metheny beautifully demonstrates what his half Nashville alternative tuning can offer to baritone players.
You could spend a lifetime trying to copy Pat's musical styling. Fortunately, emulating this tuning takes minutes.
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